Feb 11

Last Wednesday David and I left the house at 5am to be at the Merced Wildlife Refuge before sunrise.  Our agenda was to meet up with Michael Frye , Claudia Welsh and their friend Kirk Keeler at sunrise,  Dan Mitchell would join us late afternoon.  The MWR is a driving tour with a couple of viewing platforms where you can get out of the car.  There’s also a short walking trail near the back viewing platform.

The drive down to the San Joaquin Valley held a sky of bright stars and a full moon.  It was looking as if the sun would rise to a clear and boring sky.  When we reached Merced I detected light ground fog, David wasn’t seeing it and doubted my judgment (he was busy driving).   After we drove through Merced to highway 59 and then began heading south we hit the fog.  I watched the foggy moon and landscape most of the way to the preserve until it disappeared into the dense fog.  I took this photograph through the windshield while David drove on Sandy Mush Road.  This is the moon, not a street light.  6:27am

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The fog was too thick to see the sunrise.  While we were photographing on this part of the auto tour,  Michael and Claudia Frye arrived.  They continued on to a spot they had in mind.  David was photographing birds and landscapes, I was looking for possible future paintings.  It was so foggy I wasn’t bothering to photograph birds.  6:53am

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A little further along the auto route we came to this area where the Ross’s Geese were close to the road, close enough for me to take a couple of photographs.  I was enticed by the fog induced soft lighting that was muting the birds’ silhouettes and I liked the graphics of the plants and the bird’s reflections.    7:51am

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And then they decided to leave.

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The Lesser Sandhill Cranes are very shy and don’t get very close to people.  This group was almost completely shrouded in fog and close enough to the road to try photographing them.  I think of this picture as the  ‘Ghost Birds’.  8:34am

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We arrived at the area where there’s usually a lot of Ross’s Geese and they didn’t disappoint us.  The fog was slowly burning off.   8:50am

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About a half hour later the fog was gone in our area but still lingered towards the west.  Mid morning Michael and Claudia left to run errands.  David and I had snacks and drinks so we remained at the preserve.  9:15am

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We continued taking photographs, ate an early lunch, David read his book and napped and I made a couple of quick rough field notes with pastels.   6×10” MWR Sketch 2MWR FieldNotes1

While David was dozing and I was taking pictures out the car window, the geese suddenly ALL took to flight.  It was fascinating to watch to entire flock wheel around, changing colors with their banking turns.   To watch the video I took, go to my YouTube Channel.  The videos aren’t very good quality but I hope they give you a sense of what it’s like being there.  The videos in this blog are the first I’ve ever published, I know I need practice.

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We continued watching the birds all afternoon.  There is a lot of hawk activity and lots of cotton tail bunnies.  I took 600+ photographs, it wasn’t easy to limit my choices for the blog.  I’m jumping ahead to the evening.  Michael and Claudia have returned and Dan Mitchell has arrived.

The evening light makes the birds glow with warm light and gives the water such pretty hues.   Slowly the geese have been leaving from the pond in groups, flying to the field behind us.  The world is tinged with a rosy color from the setting sun.  The geese look like white paper falling from the sky as they land in the field.

As each group flies over there’s a familiar sound all around me that’s almost disguised by their raucous calls.  It doesn’t register at first and then I realize it sounds like rain.  Miraculously I’m not being hit by all the bird droppings.  Dan was the most popular target of the group.  I believe he registered 3 hits, Michael was also targeted.   To view a video taken during this time, click here for my YouTube channel link.    5:14pm

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The sun has almost set.   5:24pm

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The sun has slipped below the horizon, the birds are gone….to the field behind us and in the air all around.  The air is filled with their calls, darkness has almost completely descended when the birds suddenly take flight in an unbelievable mass.  As far as you can see more groups are arriving from all over the valley.   Here’s a link to watch the video I made on my YouTube Channel.Feb8 MWR15.jpg Feb8 MWR16

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Feb 05

Not only are the birds interesting, fascinating and a challenge to photograph, there are wonderful compositions of the the landscape with which to play.  I’m always searching for painting references.  The golden afternoon light was lighting the tops of the cattails.  The distant plants had lovely texture and color.  The sky color lying on the water made the reeds look as if they were floating in air.

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The sunset colors on the water were, if I may say, yummy.  The graphics of the reeds and birds weren’t bad either.

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Ghost birds.  It was so dark my camera was struggling to capture images.  I liked the crispness of the foreground, monotone colors and blurred birds.

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The distant coast range.

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A Great Horned Owl silhouetted against the sunset.  A barn owl flew into the trees behind us shortly after this photograph was taken.  Bunnies started hopping around in the under growth and a pack of coyotes were singing in a distant field.  With the smallest amount of light on the western horizon and almost total darkness above, the sky above filled with a mass of Sandhill Cranes circling in a pleasant cacophony of cries.  It was magical!

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Feb 05

We took a last minute Saturday drive down to the Merced Wildlife Refuge to meet up with  G. Dan Mitchell and his lovely wife Patty.  The deck thermometer was reading low 50’s but the car read 57 degrees as we pulled out of the driveway at 2pm.  After a short stop in Merced for a Starbucks, the temp a very warm 68 degrees, we headed to the preserve on Sandy Mush Road.  My turtleneck, wool sweater and wool vest were rather warm attire for the beautiful valley day.  The four of us had a fun afternoon of bantering and laughing while watching the birds.  It’s so reassuring, and humorous,  when the guys accidentally forget to change camera settings in the excitement of bird activity.  There may be hope for me yet regarding photography.

The back platform held a view of a pond filled with geese, though there weren’t as many as our last visit.  We stayed at this platform from late afternoon till dark.  In this blog I’m sharing photographs of the same  trees with various crops from slightly different views throughout the visit, with exception of the first photograph.

View of geese at 4:01pm.

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5:13pm  The sun is on the horizon.

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5:28pm  The sun has set but it seems to get lighter as the light bounces off the clouds overhead.

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5:48pm  It was fairly dark at this point.

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5:58pm  A Great Horned Owl is perched in the tree.  The next blog has a closer picture.

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Jan 25

Yesterday morning Teri Robinson invited us to photograph a new road he’s been exploring.  David had too much work to do but I said I’d be delighted.  We left on our adventure at 11am.

The road we took was north of us, up highway 49 towards Mariposa.  It’s a typical foothill road that drops in elevation as it heads south and west towards the valley.  I’m guessing we started at about the 2000ft elevation.  Teri was very funny pointing out LOTS of potential places to stop on another day.  He had a couple of specific stops for this day.  The road began tight and curvy with dense vegetation of various oaks, pines, cedars, black berry, poison ivy and scrub brush.  We followed a stream most of the time.  The weather forecast was sunny however the sky quickly clouded over.

Our first stop was along the stream which was a small river due to the weekend rains.  We couldn’t go very far along the bank due to the dense vegetation and swollen stream.  When Teri was last there the water was clear, now it was brown with recent run off.  The moss is beautifully green and plump.

I’m thinking a lot of this was poison oak.

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Down the road a little ways we spotted a nice open area along the river.  We walked down a steep embankment under a low canopy of branches to reach the river.  I was ecstatic with the variation of rocks.  There were black ones and pink ones and multicolored ones, granite and rocks made of two different types of materials.  I immediately fantasized about having access to 3 trucks and 20 strong men.  I would walk along the river and point to rocks saying, ‘that one….and that one…’ while the men hauled my choices up to the trucks……  The rocks were still wet from morning dew which made them and the oak litter vivid with color.

This old oak tree root was exposed and moss covered.  In the lower photo I liked the glowing reddish oak leaves stuck in the bush.

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These trees came into view as we meandered down the road.  The trees were on the bend across the river.  I immediately dubbed these David Hoffman trees since they looked just like what he’d stop to photograph.  I was drawn to the reddish brush behind the lacy trees with gold leaves and the variations of greens.  In the opposite direction, just down the road was a sweet view of the river framed by two large oaks.

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I forgot to mention that the pavement ended long before the first stop.  As we traveled down the dirt road the landscape opened up and became cattle country.  Most of the area was fenced until about the 1200ft elevation.  It felt as if we drove through ranches with fenced perimeters and cattle guards at the road.  The land was rolling with oaks and not much scrub brush.  The stream became bigger as tributaries merged.  Looking back to Indian Peak.

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When we momentarily stopped for Teri to photograph, I ‘saw’ this bird looking over it’s shoulder with it’s outstretched wing.  For those who don’t ‘see’ it, it’s a large oak stump.

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The next place we spent some time at we were trespassers, and met the nice owner.  I was leery about pulling down someone’s driveway but Teri assured me it’d be okay.  Sure enough the owner came to see what we were doing.  I used to have no problems trespassing in the countryside until I received a severe chastising by a rancher.  Mind you, there wasn’t a town for 10 miles or more and it was the middle of nowhere but since then I haven’t wanted to be yelled at again, especially by another WOMAN!!

This is the lovely river we trespassed to photograph.  The owner was so nice he suggested we go through his backyard and on down to the family swimming hole to take more pictures.  I’ve got to get a thank you note off to the family.

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It was after 3pm by the time we left the trespassing spot and we still had a ways to go on this dirt road before we intersected with the (paved) road to take us back to Mariposa.  We wanted to photograph the sunset with oak trees.  We decided to go back to a spot with a view of the rolling foothills we’d visited in December.

We arrived at the desolate rolling hills on the edge of the transitional area where oak trees begin growing.  A very steep narrow track of a road led to the flattened top of a hill that looked like it had once been mined.  The view was magnificent but lacked oak trees.  This is a semi panoramic of our hill top view beginning with looking north, then northeast, east….

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You can just make out Eastman Lake to the left of Teri where the pale water color shows above the hills.

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At 5pm, with the sun setting at 5:14, we left hoping to find a good spot to photograph the sunset on our way home.  We found it on a bend in the road with the view of Eastman Lake.  There was very little color to the east where the mountains had clouded over but west was gorgeous with one of those sunsets that keeps evolving and getting better and better.  The first photograph is looking south over Eastman lake, the road shot is looking north, the rest were towards the west.  The silhouettes of the oak trees were so much fun to play with.  The sunset was the frosting on the cake at the end of another fun day exploring the California back roads with Teri.

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Jan 17

One of the artists I admire is M. Katherine Hurley.  She is a wonderful colorist.  A couple days ago I decided to follow along with her CD demo “Dramatic Values, Works in Black and White’.  I then chose a photograph of my own to work with.  My photograph is from an overcast day at the Merced Wildlife Refuge.  I used Somerset Velvet Print making paper, a black pastel, a black pastel pencil, paper stump and several erasers.  The idea is to block in the masses and then take away with the erasers.  Addition and reduction…lots of playing.

My work from the demo.

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Blocking in areas from my photograph and the beginning of reducing the darks.

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The end result.  I have noticed a few things that need to be worked on but overall I’m  fairly happy with the outcome.  I have a few more photographs lined up from which to work.

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Jan 13

 

Part Two – Noon to Sunset

After our visit to Tree Falls, I have no idea if that’s a proper name for that landmark, we went to Olmstead Point to take a look.  Since it was the middle of the day it wasn’t very inspiring so we decided to eat lunch elsewhere and return closer to sunset.  We ate our lunch at Ellery Lake which is over 9000 ft in elevation.  There’s hardly any snow.

2:00 pm.  Ellery Lake.

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As we passed Tuolumne Meadow we were treated with seeing two coyotes.  This one we watched for a while.

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David photographing at Olmstead Point. 

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This little Pika screeched it’s head off as we descended the stairs on our way to a rock dome to photograph Half Dome at sunset.  It is SOOOO cute!  They are related to rabbits and about the size of a baseball.

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We chose a spot to watch the sunset and waited.  The skies looked promising for possible sunset color.

My view to the east (left).  This is a huge granite face with huge old trees.  There are wonderful interesting groupings of trees all over the side of this rock face that look like bonsai plantings through the camera lens.

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A couple  of tiny vignettes of ancient trees on the massive rock face.

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It seems David always perches on the edge to get his shots.  I end up stressing, worrying and having non stop butt puckering :(    ….but I’m quiet and don’t say anything (much).  I always take a photograph just in case it’s the last photograph….is that bad??

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Clouds Rest.

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Behind me towards Tenaya Lake.

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We did get color.  Looking down towards Half Dome.

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Ahhh…..how I love color.  A Possible Painting…..     A wonderful end to the day.

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Jan 13

 

Part One, First Half of the Day

We saw so many interesting possibilities on Saturday that we decided to return Tuesday.  We were captivated with the frozen Dana branch of the Tuolumne River so that was our first destination.  I was fascinated with how the river froze in the form of flowing water, as if time was standing still.

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David is trying to keep from sliding backwards on the downstream slope as he photographs.

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These frozen ripples were delightfully fun!  They gave the illusion of the water moving.

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This was a great vantage point to look downstream at the beauty of the solid stream.

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11:00 am    We were frozen to the core when we finished photographing the solid stream.  We returned to this pullout where we’d shot the full moon on Saturday.  I wanted to sit in the sun while we had hot tea and a granola bar.  We are almost to the Tioga Pass gate.  Note how there’s no snow on the mountains.   The Mono winds that came through a month ago downed so many huge old trees between here and the gate.

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Noon.  David and a frozen waterfall.

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Jan 13

David and I decided to take advantage of the Glacier Point Road being open this late in the season to photograph the sunrise with Half Dome.  I’d recently posted to Google+ a collage I’d made with David’s cast off photographs and trial prints of my giclees.  A fellow photographer on Google+, Vincent Goetz, offered his cast off photographs for collage use as well.  He decided to be at Glacier Point for sunrise also.

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The three of us were disappointed there wasn’t a cloud in the sky at sunrise so our next stop was Bridalveil Creek on Glacier Point Road.  The creek was frozen solid and the temperature was 19 degrees.  Even the ravens looked cold.  They were walking half squatted as if trying to keep their legs warm.

Boring sunrise.

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Raven huddled on a branch.

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Breakfast at the Ahwahnee was next on our stop.  Vince was driving ahead of us in his truck.  In the valley he came to a stop by the chapel  so a  bobcat could cross the road in front of him.  None of us had seen a bobcat in Yosemite before.  It was very healthy looking.

Bobcat in the Chapel parking lot.

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Our other photography interest was the late afternoon moonrise.  We wanted to be in the Tuolumne Meadow/Tioga Pass area.  As we left the valley after breakfast, we stopped at Bridalveil Creek along the main road in the valley.  David was interested in ice pictures, then we headed for 120.  Though it was a sunny day, at 12:30 it was 35 degrees.

Tioga Pass is now open the latest in the season on record, which gives us a chance to explore the area in winter.  We stopped at Tenaya Lake which is frozen solid and had lots of people on the ice engaged in various activities.  There were ice skaters, ice hockey players, lots of people playing and a few with picnic tables set up on the ice.  It was really creepy to stand on the shore and listen to the ice making lots of weird and distressing sounds.  You could see the ice move as well.  I decided not to walk around on it.

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Around 3pm we stopped at a pull out near the Tioga Pass gate.  We had an hour before the moon rise.  The wind was bitter cold.  We could photograph while we waited or we could drive down to Lee Vining and have a meal.  We chose the latter.

Ellery Lake, elevation 9538 ft,  taken through the window as we drove by.  I really liked the long shadows on the surface of the ice.

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Mono Lake was a gorgeous deep dark blue as we dropped down the grade.  I wish I’d gotten  a picture of the lake….and of the moon rising over it.  By the time we’d finished our meal the moon had risen quite a bit.  We dashed back up the grade and found a pull out to photograph the moon.  It was so cold with a blasting frigid arctic wind.

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The colors of the meadow were stunning.

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The view behind me, which Vince suggested I turn around and see.  It must have been a beautiful sunset at Tenaya Lake and Olmstead Point.

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My last picture of the day, and my favorite.  Perhaps I was still shivering as I took this through the windscreen.  It’s very Bill Neill-ish without even trying, a happy mistake.

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Nov 28

I painted within the landscape of my life today….outside, en plein air.  I painted a layer of sealant on our recently constructed platform deck. 

I started this project a year ago when I put the concrete piers in place for the first section and laid the unsecured boards in place.  There were several times over the year when I stepped on the deck wrong and about fell due to the boards just laying in place.  It sat unfinshed until this summer when I placed the next section of piers for the other half of the deck.  David cut the boards for me, I placed them where I wanted them, then he screwed them all down.  The wood is from our old deck we had replaced 2 years ago.  I wanted to recycle the wood.

I’m very happy with the platform deck.  I no longer have to weed whack this section of the yard.  I will miss the waist high dasies that grew here and filled the space for a few months.  The chickens lost a large area for foraging.  However, the deck is perfect for a small table and chairs.  I enjoyed morning coffee and lunches here this summer.  It’s also a nice vantage point for watching the goldfish, chickens and wildlife.  The chickens like it too, unfortunately, since they leave their calling cards spaced about.  I’m not sure what the pros and cons are of the chickens dirt bathing under the deck.  Maybe they’ll keep an eye out for snakes while they’re busy throwing the dirt everywhere.

Short legs…an advantage to doing work close to the ground.

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Ewwww……I stepped in chicken sh……

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I had placed a barrier of garden furniture around the deck to keep the chickens off but they sidled around between the lawn chair and fence.  The newly painted deck now has accents of white and green :)

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All the old wood had been messily stacked on the side yard off the deck.  I had thought I’d move it all around behind the garage—two years ago—but it hadn’t happened.  Some of the wood was beginning to rot.  A few days ago I stacked the old wood off the ground like another platform deck.  This looks MUCH nicer and you can walk on it.  We can see the size boards we have when we build the next project –   A bridge over the drainage ditch.  What I REALLY want though is a chicken coop!!!!   Some day.

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Nov 20

 Sierra Art Trails sponsored a 2 day silk screening workshop last week.  Sierra Art Trails’ current special exhibit, ‘Our Wild Lands’, included a beautiful serigraph by Alan Works, the instructor of the silk screening class.  I’m not sure if ‘silk screen’ should be one word or two, I’ve seen it written both ways.  The class was held in the Stellar Gallery with the ‘Our Wild Lands’ exhibit surrounding us.

I had never seen the silk-screening process so I was fascinated and admittedly confused at times.   Below is Alan’s serigraph hanging in the ‘Our Wild Lands’ exhibit.  If you don’t look close enough you’d swear it’s a photograph.

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Alan brought the screens of one of his serigraphs to demonstrate the process of creating a serigraph.  Each screen lays down a different layer (colour) of paint.  Alan was an excellent instructor.  His passion for his craft made you want to experiment and learn the craft as well.  David and I would love to delve more into this medium if it weren’t for our tiny house and zero storage.

Photograph:  Alan holding one of the screens at his printing table.

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Left:  A table of Alan’s prints with 2 or 3 layers of paint.  Right:  Carolyn Hartling cutting paper for our printing.

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Gloria Garland finessing her image she’ll use for silk-screening. 

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Unfortunately Carolyn and myself were the only two of 5 participants who had the privilege to print our images.  Carolyn drew a beautiful image of a woodpecker.  The image is then printed on a clear plastic transfer sheet.  The silkscreen is painted with the purple coloured light sensitive emulsion, in a darkroom setting.  The clear sheet with the image is placed on the silkscreen, then exposed to light.  Since we didn’t have an indoor light strong enough to expose the image, Alan tried to use the sun as a light source, which would have worked great if mother nature had cooperated.   We each successive screen exposure the sky grew darker.

Once the image is exposed onto the screen it’s then washed off in the darkroom setting revealing the unexposed imprint of the image.

Below:  Carolyn’s woodpecker and Jon’s semi-failed image.

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Carolyn’s inked image.

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Carolyn pulling a print with Jon’s help.

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Carolyn’s prints filling up the table.

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This is the original image I chose to work with.  I took this photograph last January at the Merced Wildlife Refuge.

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I thought I could print two graphics of different colours.  First I would print a background colour for the sky and water.  Then the image below for the middle ground, followed by the image for the foreground.  In Paint Shop Pro I posterized the foreground, then made a negative out of the background to create the two strong graphics that initially attracted me to the subject.

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Below:  This would be the 3rd and final layer with the darkest colour.

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 The two transfer sheets sitting on a manila folder. 

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 The silkscreen with the two above images and a rectangle for the background colour.

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Here I’m mixing the paint and consulting with Master Alan about mixing the colours.

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Alan guiding me as I print the background for the images.  Carolyn is observing the process.

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The final print!!  I was very happy with the results.  Silk screening is NOT easy.  There are many processes and it’s very time consuming.  This was out of my comfort zone but such a wonderful experience.  I have found myself looking at landscapes much differently, for the better.  It’s good to step into a foreign area and see the world differently.  Pastels are SOOOO much easier!!!   Thank you Alan for sharing your knowledge and helping us grow as artists.

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